You can complete this course using either oil or acrylic paint. In weeks 3 and 7, you will also have the option of working in pastel as we look at the works of Edgar Degas and Mary Cassatt. However, this is not mandatory and you can continue working in oil or acrylic for these weeks if you wish.
Course Outline
Each week, you will learn the individual style and techniques of one of the Impressionist masters by copying one or two of their paintings, as well as covering general painting topics. Below is the week-by-week outline:
- Week 1 Monet
- Week 2 Renoir
- Week 3 Degas
- Week 4 Cézanne
- Week 5 Pissarro
- Week 6 Morisot
- Week 7 Cassatt
- Week 8 Caillebotte
Painting Techniques
We will examine all of the Impressionists painting techniques including:
- Alla Prima
- Use of Slabs of Colour
- Pointillism
- Impasto
- Palette Knife Painting
- Textured Brushwork
- Influence of Japanese Art
- Use of Photography
Colour
The basis of all Impressionist painting was the representation of colour and light. This was more accessible for them than previous painters because, after centuries of innovation, suddenly a new explosion of pigments was available. Favourite colours included Emerald Green, artificial Ultramarine, Chrome Yellow, Chrome Orange, Cadmium Yellow and Viridian. The Impressionists mixed colour directly on the canvas or placed hues next to each other, which allowed viewers’ eyes to mix them – a technique known as ‘optical colour mixing.’
Materials
The Impressionists lived in an age of great social change as well as radical technical innovation. We will look at the changes to materials and equipment that enabled the Impressionists to create their ground-breaking paintings.
The pigments and materials of the paintings we will study have been analysed by the research departments of major art museums, and we will be basing our painting reproductions on their findings.